Meet Jean      

 

A southern California native, Jean has been making pottery and teaching pottery for over 30 years. A local favorite of students and collectors, Jean spends many hours in her garden and uses her experiences with nature as an inspiration for her work. She also enjoys spending time with her grandson, sewing, skiing, swimming, and yoga. She says she can't sing or catch a ball, but we're not sure we believe it.

Jean obtained a Bachelor of Fine Arts and a Master of Fine Arts both from California State University, Long Beach in 1978 and 1981. While attending California State University Long Beach, Jean also taught ceramics there from 1980 to 1984.
Jean Bliss in her garden
The Potter
For those of us involved in the creation of Ceramic Pottery the wide ranges of artistic and natural examples that consciously and unconsciously influence our work can be overwhelming. But, it can also give us tremendous latitude to select the forms, media and processes that will best embody our artistic vision in artifacts that, hopefully, will convey our vision to others.

Since pottery is almost impossible to destroy, many of the earliest examples still exist, at east as shards, and through them we can follow much of the evolution of Human culture, intellect and technology. Even if it is broken, a pot can be reassembled. We can then see and hold examples of the earliest artifacts made by Man. The examples of prehistoric and historic pottery available to us in museums and in books are almost beyond number and each is worthy of study to relive the creation of the artistic vision and its embodiment with the long dead artisan. His or her pot carries the essence of the early Potter beyond the reach of time nor will time erase us as we labor to embody our vision, our artistic essence, in our pots.--Jean Bliss

The Educator
Jean has been teaching pottery and ceramics in Southern California for over 20 years.  Currently, she is teaching at both Rio Hondo College in Whittier and Fullerton College in Fullerton California since 1985/1986.  She has also taught at La Sierra University in Riverside, CA (1999), Cerritos College in Cerritos, California (1995), NAIUPS University of California Irvine, Irvine, California (1993), Cypress College in Cypress California (1982-1985), and California State University Long Beach (1980-1984).

Jean’s teaching philosophy…
 

‘Today ceramics covers a wide scope from the traditional functional wares to the contemporary fine-art approaches.  Because of this wide application of ceramics it seems important to teach all of the technical aspects of ceramics.  The traditional potter who makes functional ware needs all of the skills of hand building and wheel-throwing in order to explore and understand all of the aspects of his ware.  The contemporary artist who uses clay as a medium often comes from a wheel throwing background which gives one more skill to draw from in his continual growth.

  

With an eye on the potential development of the beginning potter, I feel it is important to cover all aspects of ceramics in the beginning courses.  All of the and building techniques need to be thoroughly understood as well as specific step by step instruction on the potter’s wheel.  The concepts of good form and design are also important for the beginning student to become aware of and continually stressed throughout the teaching experience.
 

Many more technical skills such as glazing, decorating and plaster mold making can be taught as the student progresses.  Exposure to historical, traditional, and contemporary ceramics will help the student choose the direction he wishes to develop his own work.'--Jean Bliss

 

Artist's Statement 
 
Jean at Home in Fullerton, CA I have always loved looking at both ancient and contemporary pottery. Along with what I assimilate from others and learn from the work of others, I am ever aware that my love for the visual stimulation I received from Nature blends and modifies my personal artistic vision.

Flowers … my rose garden … a sunflower … the giant Sequoia tree ... the vast array of scenery in our magnificent High Sierra Mountain Range
… the Desert drive to the Eastern side of the Sierras … the red rock canyons and the dry lakebeds … the Mammoth Lakes … and the Black Glass Mountain … I look to the West of the Sierras to discover lush forests … and always the rocks ... Yosemite’s domes and cliff faces. These esthetic influences combine with my love for the total pottery creation process. I love the feel of wet clay … cutting into the leather hard clay … and drawing on it … I love sticking my hand into a bucket of wet glaze to mix it … the power of the kiln fire … the roar of the flames at night. The sense of power mixes with the clay’s vulnerability to influence the form and the color.


Is it utilitarian, non-utilitarian? I don’t know. I just know I love it.--Jean Bliss

   
Jean Bliss of Woodruff Bliss Pottery

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